03/21/18

Julian Meagher_TheDesignFiles

Julian Meagher spoke with The Design Files about the inspiration behind his newest exhibition Inlet/Oulet, on view at Olsen Gallery from Wednesday, March 21st.

 

Read the full article here: http://thedesignfiles.net/2018/03/inlet-outlet-by-julian-meagher/

 

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02/17/18

ALL WE CAN’T SEE : ILLUSTRATING THE NAURU FILES

OLSEN Gallery would like the congratulate Paul Davies, Peter Gardiner, Laura Jones, Marisa Purcell and Luke Storrier for their participation in Yellow House Gallery’s exhibition (All we can’t see : illustrating the Nauru files).

“An exhibition illustrating the Nauru Files to raise awareness about the human cost of Australia’s offshore detention policy.

In August 2016 The Guardian published The Nauru Files, leaked incident reports written by staff in Australia’s detention center on Nauru between 2013 and 2015. These files detail 2,116 individual cases of assault, sexual abuse, self-harm, child abuse and abhorrent living conditions endured by asylum seekers in the care of the Australian Government.

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For further information see: http://yellowhousesydney.com.au/workshops/2018/1/31/all-we-cant-see-illustrating-the-guardian-nauru-files

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02/17/18

George Byrne | Aesthetica Magazine

George Byrne features in this months Aesthetic Magazine. Issue #81.

“Comparable to the likes of Ellsworth Kelly and Lewis Baltz, George Byrne’s practice centres on the process of reduction and multi-dimentionality.

 

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01/12/18

OLSEN GRUIN | 9 New Galleries That Opened in New York City in 2017

OLSEN GRUIN has been listed in HYPERALLEGRIC‘s article, 9 New Galleries That Opened in New York City in 2017.

Don’t focus on the closings. Three cheers for new galleries!

To read the full article, please click here.

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05/7/17

TIM OLSEN AND LAURA JONES | HARPER’S BAZAAR

For Harper’s Bazaar Australia’s May 2017 issue OLSEN Gallery Director Tim Olsen and represented artist Laura Jones visit the home and studio of the internationally acclaimed and prolific artist Brett Whiteley, reflecting on the profound impact the late artist had on each of their lives.

“The day Brett died, it was not just losing someone I had known since I was a small child, a friend of the family. The world lost someone who had a real vision.”

“Whiteley’s inflection was one of the first to strike a note for me in my most formative years. I was fascinated with the way his work epitomised the bohemian soul of Sydney.”

To read the full article, pick up a copy on news stands now.

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