It is an open event for every one to enjoy. The talk is being held in conjunction with the Part One exhibition that has just opened in the main gallery featuring an inspiring array of NAS Alumni. The show will run until the 27th of October.
Peter Vandermark has been selected to participate in this years ‘Contour 556’ public art exhibition this October in Canberra.
Contour 556 is a free public art event over three weeks presenting artworks and performances by 60 artists. All artworks and performances are site specific, drawing inspiration from or reflecting on the cultural or physical character of Canberra.
Chosen was Peter’s work Monoblock
Monoblock 2018Cast concrete stump, Plastic (monbloc) chair section, plywood90 x 45 x 45 cm
Peter Vandermark has been selected as a finalist for the Deakin University Contemporary Small Sculpture Award.
This is a huge achievement and is the sixth time Peter has been selected.
Chosen was Peter’s work Thin end of the wedge
Thin end of the wedge 2018Plaster, timber, leather, acrylic paint20 x 20 x 16cm
Between November 1860 and September 1861 the New South Wales goldfields of Burrangong, near the present day township of Young, was the the site of Australia’s largest racially motivated riot. Rising antagonism over gold mining disparities and cultural habits saw trivial misunderstandings intensify into racial tensions that erupted into violence across the goldfields. Over 10 months, Chinese miners were subjected to threats, robbery and sustained acts of violence.This anti-Chinese sentiment had swept through the goldfields of Victoria in the 1850s and by the early 1860s had reached a flashpoint in New South Wales, provoking public opinion and debate. In Sydney, the NSW Parliament responded to the contention by passing legislation to restrict Chinese immigration and began, alongside Victoria and South Australia, to write the prelude to the White Australia Policy.
Through a series of residencies in Young and surrounding historical sites, Chinese-Australian artists Jason Phu and John Young Zerunge trace the events and repercussions of this period of civil disobedience. Supported by historian Dr Karen Schamberger, the artists’ research-led practice interweaves these accounts of history to create contemporary mediations that reflects upon the forces of identity, economics, race and otherness in Australia today.