Camille Henrot’s Whereas: Your Heart? (2017) reflects her sustained investigation into systems of knowledge and the construction of time. Drawing on ideas from her major retrospective exhibition “Days are Dogs,” Henrot engages with the entirely invented structure of the seven-day week, each day shaped by mythological and astronomical associations.

This framework unfolds spatially, creating a rhythmic progression that encourages viewers to reconsider time as a cultural and psychological construct.

In dialogue with this is Tony Bevan’s Building with Two Corridors (PC0018) (2000), a striking work rendered in synthetic polymer paint and charcoal on canvas. Characterised by Bevan’s raw, gestural line and architectural sensibility, the composition suggests a fragmented spatial structure.

While its stark palette evokes tension between containment and movement, echoing broader themes of constructed environments and human experience.