Intensely cinematic and capable of immediately commanding attention, Tim Georgeson’s photographs render the world in contrasts. Brutal yet poetic, unforgiving yet enchanting, his works depict the environment as its own...
Intensely cinematic and capable of immediately commanding attention, Tim Georgeson’s photographs render the world in contrasts. Brutal yet poetic, unforgiving yet enchanting, his works depict the environment as its own unique, living being. With a keen focus on exploring climate justice, culture, and knowledge, his upcoming book, Kupa Piti: White Man in a Hole, launching at Toronto’s annual CONTACT Photo Festival sees Georgeson rearing his documentarian gaze onto the heart of the South Australian outback.
Along the remote Stuart Highway lies Coober Pedy, originally named after the Aboriginal phrase, Kupa Piti. As one of Georgeson’s many subjects, this new book captures Georgeson’s descent into Australia’s opal capital. He documents the various walks of life — miners, migrants, fortune seekers — inhabiting the subturranean community. Living mostly underground due to the town’s extreme desert climate, Georgeson sensitises the town’s haunting atmosphere; a place where the human spirit finds retreats, seeks solitude and fortune, and withstands the untamed land.
