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En VOGUE Calandario

Vogue Spain
2018

Louise Olsen features in VOGUE spain, to discuss her current exhibition 'OLSEN ORMANDY: a creative force' in collaboration with Stephan Ormandy at The Newcastle Art Gallery. 



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Olsen Ormandy: a creative force

Art in Force

Grazia
Nicholas Carolan
2018

"Louise Olsen and Stephen Ormandy, two artists behind Dinosaur Designs whose three-decade creative partnership is the subject of a new exhibition, dissect each other's practice." 

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Olsen Ormandy: a creative force

The logic of beauty - The art of Louise Olsen and Stephen Ormandy

Exhibition catalogue from Newcastle Art Gallery
Essay by Dr Andrew Frost
November 2018

Our paths first crossed at art school in the early 1980s. As I was beginning my final undergraduate year at what was then City Art Institute [now UNSW Art & Design] Louise Olsen and Stephen Ormandy arrived in first year and seemed to be, even then, fully formed identities. Louise was of course a part of the Olsen family, well known bunyip art royalty, and Stephen, perhaps not so well known, but with the look and apparent confidence of a mid-80s rock star.

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Rhys Lee: Good Boy and Kevin Bourgeois: Wall of Sound

The Brooklyn Rail
Jonathan Goodman
November 19, 2018

 In these two shows gallery visitors have the opportunity to view two very different, but very gifted artists. Rhys Lee is an Australian artist in his early forties; this show examples a series of paintings based on a 1970s New York City subway cartoon, made by graffiti artist Mitch 77, of an orange Pluto (the cartoon dog) wearing white gloves and a blue bowtie. Kevin Bourgeois is a New York-based, musically oriented artist whose work here consists of record jackets assembled with pieces taken from different covers.

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Rhys Lee Good Boy

A Good Boy and a Wall of Sound at Olsen Gruin Gallery

Quiet Lunch
Kurt McVey
November 14, 2018

There isn’t much time left to catch one of the best two-person shows on Manhattan’s Lower East Side, or more accurately, two unique, but not so disparate exhibitions; Kevin Bourgeois’ Wall of Sound and Rhys Lee’s Good Boy, both seamlessly coexisting inside Olsen Gruin Gallery and coming down Sunday, November 18th.

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Kevin Bourgeois Wall of Sound

“Wall of Sound” by Kevin Bourgeois at Olsen Gruin, New York

BLOUIN ARTINFO
October 24, 2018

Self-taught artist Kevin Bourgeois' solo exhibition, "Wall of Sound" features a curated selection of conceptual record jacket collages that present visuals inspired by Phil Spector's philosophies on sound mixing.

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Kevin Bourgeois Wall of Sound

'Rhys Lee: Good Boy' at Olsen Gruin, New York

BLOUIN ARTINFO
October 24, 2018

Melbourne-based painter Rhys Lee comes from a background of street art. His latest, vibrant oil paintings featuring abstracted graffiti-inspired figures in sumptuous "gelato colors" grace the walls of Olsen Gruin in the current solo exhibition, "Good Boy," on view through November 18.

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Rhys Lee Good Boy

No Place Like Home

Spectrum
Elissa Blake
March 27-28, 2010

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Paul Davies Hanmer

ART COLLECTOR GLOBAL: Q&A WITH TIM OLSEN

Art Collector
Emily Cones-Browne
11 July 2018

With New York Gallery Olsen Gruin hitting the 18-months open mark, Emily Cones-Browne talks to Australian dealer and co-director Tim Olsen about going international.

Extract:
Olsen Gruin has hit the 18-month mark since opening its first doors. What are some of the winning hallmarks the gallery has experienced during the first 18 months ?
The surprising thing about the New York experience is that I had no idea it was going to happen. It was only because my sister was moving her business that we had the opportunity for a pop-up. What began as an experiment was such a resounding success, it felt as though we had a place in the New York art scene.

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Beyond The Veil curated by Adam Knight

What to See in New York Art Galleries This Week

The New York Times
Martha Schwendener, Jason Farago, Will Heinrich and Jillian Steinhauer
June 20, 2018

Extract: 'Beyond the Veil’

Through July 8. Olsen Gruin, 30 Orchard St., Manhattan; 646-613-7011, olsengruin.com

Who gets to narrate history? Who gets to represent whom? These questions have been roiling the American art world lately, but they are nothing new in Australia — especially in regard to its indigenous population, who faced official efforts to erase their culture well into the 20th century through forced assimilation. Visual art has provided a crucial tool to help redress these erasures, and at this New York outpost of a Sydney gallery, the paintings by five women from central Australia, and one collaborative group, testify to the vibrancy of Aboriginal Australian art and the necessity of speaking for yourself.

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Beyond The Veil curated by Adam Knight

The Approval Matrix

New York Magazine
June 2018

The Approval Matrix - Our deliberately oversimplified guide to who falls where on our taste hierarchies...

BRILLIANT - The breathtaking small survey of Aboriginal art "Beyond the Veil" at Olsen Gruin gallery.



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Beyond The Veil curated by Adam Knight

“Beyond the Veil” at Olsen Gruin

Arte Fuse
Jonathan Goodman
9 June 2018

So, there is something that holds true in a show like this, which presupposes a different way of looking at society because of the long reach of the West's current obsession with money. Clearly, affluence is not a major interest of the women in this show, who live in the central desert of Australia and who work on paintings that, despite their abstraction, remain close to their lives. This is a different cry by far from the recent dot paintings of Damien Hirst, whose probable appropriation-we are not certain this is true-looks like very much like the theft of a venerable art coming from a culture some 100,000 years old. Hirst's borrowings do tend to look facile in light of the greater gravitas of the indigenous women's works, which can be understood by Western viewers-albeit on a level likely more superficial than the paintings themselves. In any case, the controversy raises real issues about the appropriation of other cultures-a hallmark of Western art practice since the beginnings of modernism, when Picasso made use of African masks for his work Les demoiselles d'Avignon.

 

BEYOND THE VEIL CURATED BY ADAM KNIGHT
May 16 – July 8, 2018
OLSEN GRUIN NY
-Jonathan Goodman

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Beyond The Veil curated by Adam Knight

Three Sentence Reviews of Marlene Dumas, Dan Colen, and 11 Other Art-World Big Shots

Vulture.com
Jerry Saltz
May 31, 2018

To coincide with several big art fairs and last week’s massive auctions, many larger galleries mounted shows of their bigger artists. So let’s read the tea leaves on the upper end of the food chain.

Extract:  Beyond the Veil
Curated by Adam Knight
Olsen Gruin

No doubt many of the bigwigs in town for all the art stars, megagalleries and super-auctions, missed maybe the best secret show in New York at the moment, this six-artist exhibition of Australian Aboriginal women painters curated by the president of the Aboriginal Art Association of Australia — a show that gives us a breathtaking small survey of what critic Robert Hughes (who in almost every case except this I disagreed with) called “the last great art movement of the twentieth century.”

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Beyond The Veil curated by Adam Knight

“Beyond The Veil” at Olsen Gruin, New York

Blouin ArtInfo
May 29, 2018

Olsen Gruin is currently hosting a group exhibition titled "Beyond The Veil."

Until July 8, 2018, Olsen Gruin will host an exhibition that celebrates Aboriginal Australian artistic practices. “Beyond the Veil” features a group of contemporary Australian artists. It has been made possible by the gallery’s collaboration with the Aboriginal Art Association of Australia. The group show will be on view at the gallery’s New York venue.

This group exhibition of Central Desert Paintings has been curated by the President of the Aboriginal Art Association of Australia, Adam Knight. The anticipated show features select works by Emily Kame KngwarreyeEvelyn Pultara, Gabriella Possum Nungurrayi, Gayla Pwerle, Polly Ngale, and the Women’s Collaborative comprising Beverly Cameron, Kathy Marinkga, Imitjala Curley, and Tjangili George.

Featured: Untitled 1993 Emily Kame Kngwarreye Synthetic polymer paints on Belgian linen 23.6 x 35 inches (59.9 x 88.9 cm)

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Beyond The Veil curated by Adam Knight

Beyond the Veil

www.artweek.com
Emerald Gruin
13 May 2018

Olsen Gruin is pleased to present Beyond the Veil, a group exhibition of Central Desert Paintings curated by the President of the Aboriginal Art Association of Australia, Adam Knight. The anticipated show features select works by Emily Kame Kngwarreye, Evelyn Pultara, Gabriella Possum Nungurrayi, Gayla Pwerle, Polly Ngale, and the Women’s Collaborative comprising Beverly Cameron; Kathy Marinkga, Imitjala Curley, and Tjangili George, and will be on view from May 16 – July 8, 2018.

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Beyond The Veil curated by Adam Knight

Beyond the Veil x Adam Knight

the360mag.com
7 May 2018

Olsen Gruin is pleased to present Beyond the Veil, a group exhibition of Western Desert Paintings curated by the President of the Aboriginal Art Association of Australia, Adam Knight.

The anticipated show features select works by Emily Kame Kngwarreye, Evelyn Pultara, Gabriella Possum Nungurrayi, Gayla Pwerle, Polly Ngale, and the Women's Collaborative comprising Beverly Cameron; Kathy Marinkga, Imitjala Curley, and Tjangili George, and will be on view from May 16 - July 8, 2018.

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Did Damien Hirst Rip Off Aboriginal Australian Artists’s Work?

Frieze.com
April 3, 2018

Australian artists and dealers claim ‘uncanny’ similarities between Hirst’s ‘Veil Paintings’ and landscapes of the late Emily Kame Kngwarrey.

Damien Hirst’s ‘Veil Paintings’ works – recently on show at Gagosian Gallery, Los Angeles (ranging from USD$500,000 to $1.7 million) – have come under fire for their similarity to the work of female Aboriginal artists, including Emily Kame Kngwarreye, who died in 1996.

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SHARING COUNTRY curated by Adam Knight

Stephen Ormandy “Only Dancing”

SURFACE MAGAZINE Weekend Cheat Sheet
Surface Editors
March 5

Stephen Ormandy “Only Dancing”
Olsen Gruin
OPENS: March 7
The Lower East Side gallery presents a collection of new abstract oil on linen paintings and resin sculptures by Australian artist Stephen Ormandy, co-founder/creative designer of Dinosaur Designs.



Related exhibition
Stephen Ormandy Only Dancing

ANNA-WILLI HIGHFIELD | OLSEN GRUIN

http://www.dartmagazine.com/
Christopher Hart Chambers
February 2018

Christopher Hart Chambers reviews Anna-Willi Highfield‘s exhibition Spirit Faces at Olsen Gruin Gallery in New York City.

Up front by the gallery's storefront window on the Orchange Street strip on the Lower East Side of Manhattan, which is now perhaps the premier location for current fine art, stands a construction of sheet brass shards, with straight, think brass rods projecting outwards in all directions, extending like rays of light or exclamation points.



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Anna-Wili Highfield Spirit Faces

Spirit Faces: Anna-Wili Highfield’s First Show at Olsen Gruin Gallery NYC

Yellowtrace (www.yellowtrace.com.au)
19 February 2018

After a 10-plus year hiatus, Australian artist Anna-Wili Highfield has returned with a collection of mixed media sculptures. Titled ‘Spirit Faces’, the sculptures are currently being shown at Olsen Gallery’s New York City outpost, Olsen Gruin.

The show is Anna’s first fully conceived body of work in over a decade and follows on from the gallery’s calendar of other strong shows representing some pretty excellent Australian artists: Stephen Ormandy, George Byrne, Leila Jeffreys, and the super cool TV Moore.

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Anna-Wili Highfield Spirit Faces